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	<title>Comments for TEACHING AND LEARNING CINEMA</title>
	<atom:link href="http://www.teachingandlearningcinema.org/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.teachingandlearningcinema.org</link>
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	<lastBuildDate>Fri, 02 Dec 2011 22:35:27 -0800</lastBuildDate>
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		<title>Comment on Xavier Garcia Bardon&#8217;s essay on &#8220;Man with Mirror&#8221; by Bonjour Tristesse</title>
		<link>http://www.teachingandlearningcinema.org/2010/11/08/xavier-garcia-bardons-essay-on-man-with-mirror/comment-page-1/#comment-75010</link>
		<dc:creator>Bonjour Tristesse</dc:creator>
		<pubDate>Fri, 02 Dec 2011 22:35:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=152#comment-75010</guid>
		<description>Thanks for posting Xavier&#039;s article, it looks very interesting.  I&#039;ll have a read and if I can find the time I&#039;ll do a translation of it.</description>
		<content:encoded><![CDATA[<p>Thanks for posting Xavier&#8217;s article, it looks very interesting.  I&#8217;ll have a read and if I can find the time I&#8217;ll do a translation of it.</p>
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		<title>Comment on S8 tech info (inc. hand processing) by Home Business Entrepreneurs</title>
		<link>http://www.teachingandlearningcinema.org/2009/10/05/s8-tech-info-inc-hand-processing/comment-page-1/#comment-72856</link>
		<dc:creator>Home Business Entrepreneurs</dc:creator>
		<pubDate>Mon, 26 Sep 2011 20:01:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=73#comment-72856</guid>
		<description>Enormously useful cheers, It looks like your trusty visitors would probably want even more articles like this keep up the good hard work.</description>
		<content:encoded><![CDATA[<p>Enormously useful cheers, It looks like your trusty visitors would probably want even more articles like this keep up the good hard work.</p>
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		<title>Comment on S8 tech info (inc. hand processing) by patella</title>
		<link>http://www.teachingandlearningcinema.org/2009/10/05/s8-tech-info-inc-hand-processing/comment-page-1/#comment-55110</link>
		<dc:creator>patella</dc:creator>
		<pubDate>Fri, 29 Oct 2010 19:30:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=73#comment-55110</guid>
		<description>You may like to add DVD Infinity to your lists of suppliers.

DVD Infinity have the highest quality Standard 8mm, Super 8mm, Single 8mm, 9.5mm and 16mm film to DVD, miniDV and AVCHD (Hi definition) transfers on the planet. We service customers all around the world (with customers in over 40 countries) who desire the best quality from films that date back to the 1920s. Our revolutionary proprietary processing and individual frame by frame scanning provide unparalleled detail, clarity, contrast, sharpness and brightness. Our transfers are completely flicker free, have no hot spots, streaks, motion blur, ghosting, wobble or uneven distribution. We carefully remove any blank, black,  white or burnt frames as well as anywhere there is so much camera shake or the film is so badly faded that you cannot make out what is going on. Also because we scan your film rather than use a projector (or projector based system such as direct film to dvd, telecine chain or aerial telecine, etc), your film is not subject to the damaging effects of tension or hot lamps. The quality of our transfers far exceeds anything else available and is much higher than most newsreels were transferred for television. 

In addition to scanning film, we offer film sales and processing for colour and black and white reversal films for Standard 8 and Super 8.
 
We also offer a full range of accessories for Standard 8, Super 8, 9.5mm and 16mm film.
* Leader Film
* Film Splices
* Film Cement
* Film Reels</description>
		<content:encoded><![CDATA[<p>You may like to add DVD Infinity to your lists of suppliers.</p>
<p>DVD Infinity have the highest quality Standard 8mm, Super 8mm, Single 8mm, 9.5mm and 16mm film to DVD, miniDV and AVCHD (Hi definition) transfers on the planet. We service customers all around the world (with customers in over 40 countries) who desire the best quality from films that date back to the 1920s. Our revolutionary proprietary processing and individual frame by frame scanning provide unparalleled detail, clarity, contrast, sharpness and brightness. Our transfers are completely flicker free, have no hot spots, streaks, motion blur, ghosting, wobble or uneven distribution. We carefully remove any blank, black,  white or burnt frames as well as anywhere there is so much camera shake or the film is so badly faded that you cannot make out what is going on. Also because we scan your film rather than use a projector (or projector based system such as direct film to dvd, telecine chain or aerial telecine, etc), your film is not subject to the damaging effects of tension or hot lamps. The quality of our transfers far exceeds anything else available and is much higher than most newsreels were transferred for television. </p>
<p>In addition to scanning film, we offer film sales and processing for colour and black and white reversal films for Standard 8 and Super 8.</p>
<p>We also offer a full range of accessories for Standard 8, Super 8, 9.5mm and 16mm film.<br />
* Leader Film<br />
* Film Splices<br />
* Film Cement<br />
* Film Reels</p>
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		<title>Comment on DIY Telecine by Rob Sinclair</title>
		<link>http://www.teachingandlearningcinema.org/2009/10/05/diy-telecine/comment-page-1/#comment-52373</link>
		<dc:creator>Rob Sinclair</dc:creator>
		<pubDate>Wed, 22 Sep 2010 06:31:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=72#comment-52373</guid>
		<description>Re projector requirements, for 18fps you will need a projector with a 3 blade shutter, preferably DC variable speed running at 16.66 fps to avoid any pulsing or strobing.
For 24 fps you will need a 2 blade shutter projector running at precisely 25 fps 
Don&#039;t allow iris to fall below F 8 as depth of field will become an issue affecting focus</description>
		<content:encoded><![CDATA[<p>Re projector requirements, for 18fps you will need a projector with a 3 blade shutter, preferably DC variable speed running at 16.66 fps to avoid any pulsing or strobing.<br />
For 24 fps you will need a 2 blade shutter projector running at precisely 25 fps<br />
Don&#8217;t allow iris to fall below F 8 as depth of field will become an issue affecting focus</p>
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		<title>Comment on MIKE LEGGETT: expanded screen, performed film, structural film 1970-1981 by Felicity Sparrow on Ian Breakwell &#124; APEngine</title>
		<link>http://www.teachingandlearningcinema.org/2007/04/14/the-films-of-mike-leggett/comment-page-1/#comment-52184</link>
		<dc:creator>Felicity Sparrow on Ian Breakwell &#124; APEngine</dc:creator>
		<pubDate>Fri, 17 Sep 2010 14:12:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/2007/04/14/the-films-of-mike-leggett/#comment-52184</guid>
		<description>[...] film when he was making Unword (1970), initially using found footage as part of this performance. Mike Leggett started documenting it on a 16mm camera, and then Mike became part of the performance, The [...]</description>
		<content:encoded><![CDATA[<p>[...] film when he was making Unword (1970), initially using found footage as part of this performance. Mike Leggett started documenting it on a 16mm camera, and then Mike became part of the performance, The [...]</p>
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		<title>Comment on S8 tech info (inc. hand processing) by Louise</title>
		<link>http://www.teachingandlearningcinema.org/2009/10/05/s8-tech-info-inc-hand-processing/comment-page-1/#comment-41044</link>
		<dc:creator>Louise</dc:creator>
		<pubDate>Thu, 27 May 2010 07:09:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=73#comment-41044</guid>
		<description>Hello demsone

you are right - film is neg using this method, I will add this prominently to the doc. And yes, stuffing film in the tank means undeveloped areas, something I strive for but again the notes should make this clear. 
Your feedback is very helpful. Sincerely, Louise TLC</description>
		<content:encoded><![CDATA[<p>Hello demsone</p>
<p>you are right &#8211; film is neg using this method, I will add this prominently to the doc. And yes, stuffing film in the tank means undeveloped areas, something I strive for but again the notes should make this clear.<br />
Your feedback is very helpful. Sincerely, Louise TLC</p>
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		<title>Comment on S8 tech info (inc. hand processing) by Demsone</title>
		<link>http://www.teachingandlearningcinema.org/2009/10/05/s8-tech-info-inc-hand-processing/comment-page-1/#comment-40959</link>
		<dc:creator>Demsone</dc:creator>
		<pubDate>Thu, 27 May 2010 03:02:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=73#comment-40959</guid>
		<description>Hi

I just finished attempting this method, a few things I have noticed:

a) you really do need a lomo spiral tank, I tried as best as i could to coil the film but once I started agitating the film tangled itself up in the tank. This left many areas not even touched by the developer so I have spotty film.

b) this makes your films negative and not transparent. Pretty useless to me as I don&#039;t have the machines to telecine neg film only have a standard projector. 

c) i didn&#039;t need the bleach method at all, which made my suspicions in the film being a neg correct. 

Maybe you could advise in your article that this method which seems like the traditional way of processing film that its for neg film only??? 

Or maybe i did it wrong? but I followed your instructions to the tee, even using 20 mins for the developer as its expired film.


Thanks.</description>
		<content:encoded><![CDATA[<p>Hi</p>
<p>I just finished attempting this method, a few things I have noticed:</p>
<p>a) you really do need a lomo spiral tank, I tried as best as i could to coil the film but once I started agitating the film tangled itself up in the tank. This left many areas not even touched by the developer so I have spotty film.</p>
<p>b) this makes your films negative and not transparent. Pretty useless to me as I don&#8217;t have the machines to telecine neg film only have a standard projector. </p>
<p>c) i didn&#8217;t need the bleach method at all, which made my suspicions in the film being a neg correct. </p>
<p>Maybe you could advise in your article that this method which seems like the traditional way of processing film that its for neg film only??? </p>
<p>Or maybe i did it wrong? but I followed your instructions to the tee, even using 20 mins for the developer as its expired film.</p>
<p>Thanks.</p>
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		<title>Comment on Resources by Louise Curham</title>
		<link>http://www.teachingandlearningcinema.org/expanded-cinema-resources/comment-page-1/#comment-32772</link>
		<dc:creator>Louise Curham</dc:creator>
		<pubDate>Sat, 24 Apr 2010 13:01:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?page_id=63#comment-32772</guid>
		<description>Helly Willy

I don&#039;t have the SMPTE spec but this book Basic Motion Picture Technology (Happe 1971 London: Focal Press) pp 45-46 has a tidy illustration for the generalist. 

Sincerely, Louise</description>
		<content:encoded><![CDATA[<p>Helly Willy</p>
<p>I don&#8217;t have the SMPTE spec but this book Basic Motion Picture Technology (Happe 1971 London: Focal Press) pp 45-46 has a tidy illustration for the generalist. </p>
<p>Sincerely, Louise</p>
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		<title>Comment on DIY Telecine by projector lamps</title>
		<link>http://www.teachingandlearningcinema.org/2009/10/05/diy-telecine/comment-page-1/#comment-23974</link>
		<dc:creator>projector lamps</dc:creator>
		<pubDate>Mon, 29 Mar 2010 12:20:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=72#comment-23974</guid>
		<description>At Princeton Lighting, we have been selling projector lamps for years.</description>
		<content:encoded><![CDATA[<p>At Princeton Lighting, we have been selling projector lamps for years.</p>
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		<title>Comment on Resources by Willy Ford</title>
		<link>http://www.teachingandlearningcinema.org/expanded-cinema-resources/comment-page-1/#comment-21357</link>
		<dc:creator>Willy Ford</dc:creator>
		<pubDate>Mon, 15 Mar 2010 12:05:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?page_id=63#comment-21357</guid>
		<description>Hi There team,

Can you help I need the dimensional info concerning standard and super 8mm film, the kind that smpte used to make available. Anyone any ideas?

Willy Ford</description>
		<content:encoded><![CDATA[<p>Hi There team,</p>
<p>Can you help I need the dimensional info concerning standard and super 8mm film, the kind that smpte used to make available. Anyone any ideas?</p>
<p>Willy Ford</p>
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