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	<title>TEACHING AND LEARNING CINEMA &#187; Add new tag</title>
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		<title>(Wo)man With Mirror &#8211; notes from Sat, by Louise</title>
		<link>http://www.teachingandlearningcinema.org/2009/01/10/woman-with-mirror-notes-from-sat/</link>
		<comments>http://www.teachingandlearningcinema.org/2009/01/10/woman-with-mirror-notes-from-sat/#comments</comments>
		<pubDate>Sun, 11 Jan 2009 00:07:34 +0000</pubDate>
		<dc:creator>Louise</dc:creator>
				<category><![CDATA[Guy Sherwin]]></category>
		<category><![CDATA[expanded cinema]]></category>
		<category><![CDATA[Add new tag]]></category>
		<category><![CDATA[Man With Mirror]]></category>

		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=50</guid>
		<description><![CDATA[Yesterday we started to prep ourselves to actually shoot the work. We looked very closely at the preview material &#8211; Lux preview tape, Lyn&#8217;s documentation on YouTube, the rough &#8216;telecine&#8217; we made up in Brisbane from Guy&#8217;s actual film strip literally minutes before he used it for his performance. We also found part of the [...]]]></description>
			<content:encoded><![CDATA[<p>Yesterday we started to prep ourselves to actually shoot the work. We looked very closely at the preview material &#8211; Lux preview tape, Lyn&#8217;s documentation on YouTube, the rough &#8216;telecine&#8217; we made up in Brisbane from Guy&#8217;s actual film strip literally minutes before he used it for his performance. We also found part of the Brisbane tape of him demonstrating with baby table how to actually do the mirror movements.</p>
<p>One of these pages documents our notes on the timings of the mirror movements, the other is us working out how to stage it in the garden at Petersham and how we should re-size one of the mirrors so it&#8217;s relative to my arm span.</p>
<p>We discussed how we imagine presenting the work &#8211; clear at this point that the position of the projectors in presentation needs to be a mapping/index of the position of the cameras in the shoot.</p>
<p>This one documents timings from the documentation.</p>
<p><img class="alignnone" src="http://farm4.static.flickr.com/3362/3186386018_1dfb8eb248_b.jpg" alt="Timings taken from Lux preview, Loo YouTube, TLC Sherwin conversations in Brisbane" /></p>
<p>This one documents where to position the shoot in the garden and the correct distances for the cameras and the sizes for the mirrors.</p>
<p><img class="alignnone" src="http://farm4.static.flickr.com/3313/3185540489_578dd1d725_b.jpg" alt="mirror size, garden position, camera distances" /></p>
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		<title>Mark Titmarsh Interviewed on Super 8 Film in Sydney</title>
		<link>http://www.teachingandlearningcinema.org/2008/04/30/mark-titmarsh-interviewed-on-super-8-film-in-sydney/</link>
		<comments>http://www.teachingandlearningcinema.org/2008/04/30/mark-titmarsh-interviewed-on-super-8-film-in-sydney/#comments</comments>
		<pubDate>Wed, 30 Apr 2008 12:45:12 +0000</pubDate>
		<dc:creator>Lucas</dc:creator>
				<category><![CDATA[Super 8]]></category>
		<category><![CDATA[Add new tag]]></category>
		<category><![CDATA[Mark Titmarsh]]></category>

		<guid isPermaLink="false">http://www.teachingandlearningcinema.org/?p=42</guid>
		<description><![CDATA[Between Super and Deluxe
Mark Titmarsh interviewed by Bob Percival, 1 August 2006
An in-depth interview with Mark Titmarsh, a key enthusiast for super 8 filmmaking in Sydney through the 1980s. Check it out here.
Bob Percival recently wrote a thesis on the history of the Sydney Super 8 Group. Read bits of it here.
PS &#8211; the above [...]]]></description>
			<content:encoded><![CDATA[<p>Between Super and Deluxe<br />
Mark Titmarsh interviewed by Bob Percival, 1 August 2006</p>
<p>An in-depth interview with Mark Titmarsh, a key enthusiast for super 8 filmmaking in Sydney through the 1980s. Check it out <a href="http://www.innercityarts.org.au/page/titmarsh-interview">here</a>.</p>
<p>Bob Percival recently wrote a thesis on the history of the Sydney Super 8 Group. Read bits of it <a href="http://www.innercityarts.org.au/page/super-8-history">here</a>.</p>
<p><strong>PS &#8211; the above links no longer seem to be alive. However, while we try to locate those interviews again, <a href="http://www.realtimearts.net/article/issue77/8361">read this</a>&#8230;</strong></p>
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